James Douglas
The Awl
it's possible that Pixar’s obsessiveness about work and employment has somehow been effaced in the public eye by the imaginative diversity of their films’ settings: ant colonies, space, the ocean, a bizarre alternate-world inhabited by sentient vehicles, and so on. But in Inside Out, for the first time, the ground beneath Pixar’s ideological feet comes into view, and it’s the Bay Area, California.
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