“I don’t play for Boston. I play for the Celtics,” Bill Russell famously said, a sentiment that succinctly summed up the star player’s frustrations with the racism in his adopted city, where he had an unbelievably successful run in the ’50s and ’60s
Taking George Orwell's classic text, 1984, as her foundation, poet Rebecca Foust casts a cold eye on the pronatalism of today's religious conservatives.
Netflix's four-part series puts guessing games aside and instead tells a dark, timely, conversation-starting story.
The press is blaming the young and very online actor Rachel Zegler for Snow White’s dismal box office showing. But Zegler’s performance as the original Disney princess is the only bright spot in an otherwise cynical cash grab.
A critical assessment of the newest translation of Marx's masterwork.
"The principal virtue of the book," writes reviewer Koppelman, "is the light it unintentionally sheds on some of the Supreme Court’s least defensible decisions."
Whether it supports the production of wine or cheese, terroir is a “particularly French conception of cultural territory” says historian Tamara L. Whited.
Black Bag is being hailed by critics as highly sophisticated cinematic fare — rather than an unambitious rush job by a talented director eager to move on to his next, similarly unsatisfying project.
Apple’s dystopian workplace thriller Severance entered its second season as a genuine cultural phenomenon. With its brutal satire of the American corporate structure, it’s easy to see why.
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