McQueen makes a point of integrating into the film what is rarely seen in movies of this sort: a sharp depiction of racism among Londoners, the enraging sort that has so calcified it still surfaces when people are just trying to survive.
Beginning in 1943, the War Department published a series of pamphlets for U.S. Army personnel in the European theater of World War II. March 24, 1945, the topic for the week was “FASCISM!
The use of the atomic weapon must be seen as a continuation and a start: the nuclear continuation of the conventional terror bombing of Japanese civilians, and the start of a new “cold war.”
Making the drive from Los Angeles with her friends, 19-year-old Sydney Takeda didn’t know what would be waiting for her at Manzanar National Historic Site, where 1 of the 10 incarceration camps that imprisoned Japanese-Americans in World War II...
Truus Menger-Oversteegen was part of a generation that sacrificed everything to fight Nazism and build a better world.
Much of Anne Fontaine’s blistering film “The Innocents” is set within the walls of a Polish convent in December 1945, just after the end of World War II. What at first appears to be an austere, holy retreat from surrounding horrors is revealed to be a savagely violated sanctuary awash in fear, trauma and shame. The snow-covered, forested landscape of the convent is photographed to suggest an ominous frontier that offers no refuge from marauding outsiders.
Not only has Japan failed to compensate the surviving comfort women, but Japanese Prime Minister Shinzo Abe has led a nationalist campaign to adamantly deny Japan’s shameful criminal past, has revised history textbooks that previously contained information about Japan’s military sex slaves and is also threatening to revise the Kono Statement.
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