Portside

In reviewing two new books on the 20th Century's intertwined histories of labor, the Democratic Party, the Civil Rights movement, and the African American people, Rich Yeselson offers a nuanced and deeply informed assessment of this complicated tale.

Michael Yates has produced a primer on inequality for our times. Steve Early takes a look.

The author argues that a key factor in unifying the fractious 13 colonies in opposition to British rule during the Revolution was the patriots' effort to link British oppression to extant colonial fears about insurrectionary slaves and homicidal Indians. America's founders were chief among those spreading tales of British agents inciting blacks and Indians to take up arms against the American rebellion, making racial prejudice a foundation stone of the new republic.

The interviewer doesn't exaggerate in ranking W.E.B Du Bois as the 20th century's pre-eminent African-American author and thinker, crediting his founding and stewardship of the NAACP's The Crisis with granting him not just an agenda-setting role in civil-rights history but also international influence. Before going into detail with the biographer, he also praises Mullen for a work that is a timely introduction to this impressive and somewhat imposing figure.

In the 1970s a group of African American experimental jazz improvisors organized musician-sponsored concerts in a network of lower Manhattan lofts. The music they produced was not only sonically adventurous, much of it was also driven by a host of social concerns. Michael Heller has published a new history of this movement. Michael J. Agovino helps guide us through this important cultural moment.

At first glance, modern art and contemporary imperialism make strange bedfellows. The book under review both charts the history of the CIA's work in promoting US corporate interests through its manipulation of culture--what was then called cultural diplomacy-- while also working to define modernism. The reviewer congratulates the author on his first task, but criticizes him on the second.

For those of us who need a reminder of the notorious record of the CIA over the last sixty-plus years, here is a useful up-to-date history. Reviewer Paul Buhle shows some of this new book's high points.

Rebel Crossings charts six 19th century socialists as they journey from the constraints of Old-World Britain to a New-World America. They were part of a wider historical search for self-fulfillment and an alternative to a cruelly competitive capitalism. The book surveys the interaction of feminism, socialism and anarchism, bringing fresh slants on political and cultural movements and upon influential individuals including Walt Whitman, Eleanor Marx, and William Morris.

Albert Murray (1916-2013), was the kind of intellectual for whom Duke Ellington would write a book jacket blurb. He called the African American writer and esteemed cultural critic “a man whose learning did not interfere with understanding," in praise of Murray's 1975 book Train Whistle Guitar, adding that Murray was "the unsquarest person I know." The Library of America has published new volume of Murray's writing. Greg Thomas takes a look.

Liberal opinion holds that the Vietnam War was a mistake. The right continues to see it as a noble cause. Author Michael Uhl calls the slaughter in Vietnam planned and deliberate, saying that the United States would not tolerate then or now efforts by people in the Global South to escape the imperialist trap. Uhl writes as a participant, first as an intelligence officer and then as an historian, to paint a merciless and highly detailed picture of US policy at its rawest.