Portside

A children's book showing happy slaves in the South was pulled off the market last weekend after a major controversy about its contents. This is just the latest flareup in an ongoing dispute about books aimed at children that show slavery and racist subordination in a positive light.

"The proletariat of each country must, of course, first settle matters with its own bourgeoisie," Marx wrote, but the corporate class formatively battles internationally, including locating fake corporate headquarters to low-tax nations, in effect bleeding their home sovereign nations of tax dollars, starving state services and aiding in turning both governing and opposition parties into austerity regimes. This book and film chart the practice and ways to combat it.

"David Bowie Is," an exhibition that started its international tour in London in 2013, garnered a lot of attention for its surprising diversity and depth. One of the exhibition's most interesting features was a selection from the musician and pop star's library. As a tribute to him, we present that book list as first published by Open Books Toronto when the exhibition reached that city.

Never before the period 1918-60 had so many young people, from so many sections of society, danced so much. In Britain, as in the United States, dancing morphed from a craze to part of daily life. Before that, dancing as frequent social activity was reserved for the privileged. This changed followed the opening of specially built dance halls after World War I, influenced by US styles and catering to a lower-middle and working-class public with rising wages.

Patricia Highsmith published "The Price of Salt" in 1952 under the name "Claire Morgan," a pseudonym. Since then, the book has become a classic of lesbian literature. Filmmaker Todd Haynes has recently released "Carol," his film adaptation of the novel, to wide acclaim. John Copenhaver reconsiders the original novel, guiding us through this suspenseful tale.

It may be something of a stretch to claim, as Malcolm Harris does, that "anarchists get the artists and tacticians, Marxists get the theorists and politicians." Yet this remains an insightful review. It surveys the history of anarchism and its relationship to Marxism as it considers how adherents of these historic modes of thought might find themselves acting in this political year.

The centennial celebration of Joe Hill's execution is being marked by concerts, symposiums, meetings and forums, and the publication of new books, or new editions. Labor historian Paul Buhle reviews two of these. Franklin Rosemont's Joe Hill: The IWW & the Making of a Revolutionary Workingclass Counterculture, with a new introduction by David Roediger; and Philip S. Foner's The Letters of Joe Hill, with new material by Alexis Buss and foreword by Tom Morello.

The Voyage of the Sable Venus, the highly regarded debut poetry collection by Robin Coste Lewis, won the national book award this year for poetry. The title poem unites art history with the history of slavery and racism. Here, Dan Chiasson introduces this book, which has become a must-read across the literary spectrum.

Using original source material Brian Dolinar arrives at a different explanation of why the popular front of 30s and 40s broke up, than that of mainstream media of that time, and since. The key agents of disunity were not the Communists but the manifold assault by the rightwing establishment. The US ruling class used opinion-molding Red-scare and Red-baiting campaigns in the mass media and culture. A lesson for today with the re-growth of the radical right.

One book that's making it onto lots of people's best-of-the-year lists is Counternarratives, a collection of stories and novellas by John Keene. It's an extraordinary collection that uses historical fiction to make visible the human beings that racism and imperialism have pretended were not there. Not only that, but, as McDowell shows us in his review, this is a set of awfully good stories, too.