Portside

Faces Places (Visages Villages in French) is an unexpected—and perhaps final—gift from the visionary eighty-nine-year-old director Agnès Varda. Varda had previously announced that her 2008 documentary self-portrait, The Beaches of Agnès, would be her last film, doubting that she had the physical strength to undertake another full-length feature. But chance, which Varda has often acknowledged as her best assistant, intervened; the making of Faces Places is the proof.

As much as the film taps into a venerable tradition of observational realism (witnessing, never editorializing), it’s not “objective.” An indisputable ally of the disenfranchised, Baker honors his subjects by telling their stories honestly, without Hollywood distortion or flattering embellishment, and through a gaggle of actors mainly plucked from the area, not central casting.

The film is a haunting and timeless American tragedy that feels ever prescient given the current administration’s foggy understanding of morality. It might prove to be a tough sell thanks to an awkward title and a strange plot trajectory, but Roman J. Israel, Esq. is a richly rewarding drama blessed with one of the best, most lived-in performances of the year. 

The best sci-fi films hold up a mirror to the age in which they are made. So what can we learn from the future – and what it means to be human – in Denis Villeneuve’s film?

To keep changing our country in the right direction we should learn the right lessons from that terrible war. Unfortunately, Burns and Novick have thrown up roadblocks to that happening which we will have to overcome.

Burns and Novick avoid confronting the question of imperialism – the notion that U.S. foreign policy is deliberately committed to the exploitation of peasants and workers around the world, that it is on the wrong side of the class struggle. Without the concepts of class struggle and imperialism, Burns and Novick will not be able to get at the roots of the political divide over Vietnam.

An Oscar-buzzed performance acts as the stoic centre of Joe Wright’s retelling of the events of 1940, played as a House of Cards style thriller.

Taylor Sheridan has crafted an uneven, but potent, vengeance film rooted in the death of a young Native American woman.

A new documentary by Rewire chronicles the rising tide of harassment and violence against abortion providers and clinics under the Trump administration. Called "Care in Chaos," it features Calla Hales, director of A Preferred Women’s Health Center, one of the busiest abortion clinics in North Carolina. She faces a gauntlet of harassment, threats and physical violence just to do her job.

A year after racial discontent neared levels not seen since the Rodney King beating case, the country finds itself convulsed by controversies over neo-Nazis emboldened by Donald Trump’s rise to power. Now, a burst of new films, many of them documentaries, are taking a deep look beyond the headlines at the lasting impact that racial schisms and racism have on Americans’ everyday lives.