Portside

The Responsibility of Watching the video of Memphis police beating Tyre Nichols challenges public complacency — and complicity. What are our duties as citizens and as human beings?

Democracy Now interviews director Santiago Mitre about “Argentina, 1985,” his dramatization of the Trial of the Juntas, when a civilian court prosecuted Argentina’s former military leaders for brutal crimes committed during the U.S.-backed right-wing military dictatorship from 1976 to 1983. The film just won a Golden Globe for Best Motion Picture in a Non-English Language and is also shortlisted for an Oscar for best international film.

If only Emancipation actually had a memorable message. Despite a committed cast and stunning cinematography, the film’s script is too blunt and the direction too ham-fisted to make it anything more than another rote entry in the slavery-movie genre.

Death, supermarkets, and an airborne toxic event.

The 1995 Christmas rom-com While You Were Sleeping stars Sandra Bullock as a union transit worker in Chicago. Over 25 years later, it’s still a delightful working-class holiday watch.

She Said, the new film about the exposure of Harvey Weinstein, keeps its focus on the disgraced movie producer and poster villain for #MeToo — but misses a chance to expose the “girl bosses” who protected him for years.

For two decades, Alexandra Pelosi, Nancy’s daughter, has made award-winning, godawful films about America’s political class. Pelosi in the House, a dull documentary about her mother and January 6, proves she is the auteur the liberal establishment deserves.

Rian Johnson’s murder mystery follow-up takes on the self-styled founder class, with riotous results.

Director Elegance Bratton tells Jezebel how he, like his film's protagonist, survived homophobia, homelessness, and the military.

While recent films in the Black horror genre have presented the terrifying realities of being Black in America, Nanny is rooted in the specific experience of the African diaspora.