Portside

Kat Candler will write the Texas-set project about a woman who leads the state's biggest strike.

Netflix has agreed to negotiate a first companywide contract with IATSE, the union representing the industry’s below-the-line workers.

The organizers of Time’s Up have called upon NBC to state that people are allowed to talk about their experiences freely, regardless of any past NDAs.

HBO's Watchmen's writing presents through-lines from slavery to Reconstruction to the so-called “alt-right”; from, as Rage Against The Machine once put it, those who work forces to those who burn crosses.

Carnival Row tells the tale of mythical creatures forced out of their homeland and gathering in the city, where tensions begin growing between the citizens and the ever-increasing immigrant population.

Raising Dion is skilled in parsing down complex social systems for a younger audience, especially through Esperanza, who often compares her experience as a person with a disability to being invisible.

The Musicale Finale also continues the Transparent tradition of retracing its steps, with characters going in circles.

The Great British Bake Off isn't just wonderful entertainment. By prizing cooperation over cutthroat competition and solidarity over selfishness, it's also quietly radical.

This visually stunning show is a trippy sci-fi drama and a lovely story about a woman dealing with trauma, all in one.

It is worth noting the existence of this thing as a cultural symbol of the way in which Venezuela—which, whatever your thoughts on it, is not, like, al-Qaeda—is becoming the new Russia.