Portside

Most depictions of trans people in the media either position trans people as the butt of the joke, a victim on a crime show or a hypersexualized trope. Instead, Pose centers trans people of color from a first-person perspective.

Bourdain engaged without fetishizing, touristed with ease, in the way of a person who’s been toggling between identities so long, the act of meeting a stranger from a strange land is the only familiar feeling.

Those who contended that Roseanne shouldn't have been fired for her views, would not have backed Colin Kaepernick's right to free expression or any of his NFL colleagues', who are threatened with a ban for kneeling during the national anthem in protest against racism.

Producer Marti Noxon has two shows about women’s pain and rage debuting this summer—and the timing couldn’t be better.

The drama of data collection has made it to prestige TV

Enduring Season 2 of the Hulu series proves even harder than expected. The series is beautifully shot, acted, and directed by women, despite the fact that the showrunner is a white man, but the actual story leaves much emotional relief to be desired in this political climate.

When the first season of Occupied was on screen the Russians were a fictional threat. Has reality caught up with the conceit?

In “No Good Read Goes Unpunished,” the 633rd episode of The Simpsons, the longest-running scripted series in TV history finally acknowledged that there is something problematic about the way it has portrayed Apu Nahasapeemapetilon for the past three decades.

Packing in as much raw emotion and as many twists and turns as a feature-length thriller, “Teddy Perkins” is a gothic funhouse of an Atlanta episode, filled with warped mirrors reflecting different aspects of American and African-American experience.

It is still funny in the same ways it was always funny, using classic sitcom jokes and storylines to highlight issues of class.