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The F.B.I.'s Dangerous Crackdown on 'Black Identity Extremists'

Khaled A. Beydoun and Justin Hansford The New York Times
The 12-page report, prepared by the F.B.I. Domestic Terrorism Analysis Unit in August, and later made public by foreignpolicy.org, both announces the existence of the “Black Identity Extremist” movement and deems it a violent threat, asserting that black activists’ grievances about racialized police violence and inequities in the criminal justice system have spurred retaliatory violence against law enforcement officers.

700,000 Women Farmworkers Say They Stand With Hollywood Actors Against Sexual Assault

Alianza Nacional de Campesinas TIME
In the lead up to “The Take Back the Workplace” march in Los Angeles on Nov. 12, Latina farmworkers have written a letter of solidarity to the brave women and men in Hollywood who have come forward with their experiences of sexual harassment and assault in the wake of the Harvey Weinstein scandal.

Palestinian -Themed Films Draw Plaudits

Bill Meyer
There were three exceptionable and rewarding Palestinian themed films at the Toronto Interrnational Film Festival this year, and Ziad Doueiri’s The Insult has been selected to represent his home country of Lebanon at the Oscars. A more timely film could not have been made and selected, seeing that this film addresses most every area of conflict possible.

Cartoons and Class Struggle

Kenneth Bergfeld and Mark Bergfeld Jacobin
In 1941, Disney animators walked off work to demand that the New Deal be brought to the Magic Kingdom.

The Fight for Free Time

Miya Tokumitsu Jacobin
The demand for fewer working hours is about liberation — both individual and collective.

Review: "Mudbound" Is a Racial Epic Tuned to Black Lives, and White Guilt

A.O. Scott The New York Times
"Mudbound" is about how things change—slowly, unevenly, painfully. It is also, as the title suggests, about how things don’t change, about the stubborn forces of custom, prejudice and power that lock people in place and impede social progress. Set mainly in the Mississippi Delta in the years just after World War II, when Jim Crow was still enshrined in law and practice, the film tests and complicates Faulkner’s much-quoted claim about the not-even-pastness of the past.

The Commonwealth Network: A Theory And Model For Political Production

Bryan Conlon The South Lawn
Here are two articles outlining theory and practice of a model around which the Left could organize cooperative enterprises into a more coherent base upon which to build more powerful, more confrontational politics as well as historic iniquities, or how it would be able to defend the gains it makes. That is how a commonwealth network could be formed and expanded.