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Red Rosa: Beyond the Biopic

John W. W. Zeiser Los Angeles Review of Books
Hardly a comic book and without the obesseive psychologizing common to many biographies and biopics, the work under review portrays the subject, the martyred German revolutionary marxist Rosa Luxemburg, with a vividness and drama that engrosses the reader even as it explains and elucidates a cogent political worldview that was for too long relatively foreign to the American left.

Film Review: The Brilliance of 'Birth of a Nation"

Eric Kohn Iniiewire
After premiering to prolonged standing ovations and plenty of critical acclaim, the slave revolt drama, Birth of a Nation, set off the fiercest bidding war Sundance has ever seen. Fox Searchlight has come out on top, landing the drama in a record-breaking $17.5 million deal, the biggest purchase in Sundance history.

Homeland Withdrawal? This Series From Norway Is Your New Favorite Geopolitical Thriller

JACOB BROWN Vogue
In a not-so-distant future, Norway has elected a radical branch of the Green Party, and its charismatic new prime minister shuts down the country’s supply of oil and gas to continental Europe. Despite an impending climate crisis, the EU is none too pleased with this overnight weaning from petrol, and invites Russia to offer Norway “technical assistance” in restoring its fossil fuel production. Russian gunships descend on Norway’s oil platforms.

Barbed Wire

Nathan Hoks Matter: A (somewhat) monthly journal of political poetry and commentary
Chicago poet Nathan Hoks shows a keen understanding of bad things going on in our times and then takes it all a surreal step beyond or maybe not.

The Last of Christopher Hitchens

Terry Eagleton The Guardian (UK)
The last posthumous collection of Christopher Hitchens's essays we are likely to see, the book under review shows the incomparable polemicist moved from being a practicing Trotskyist (though he never practiced enough to get good at it) to cosying up to the Washington neocons.

Bearman - Review of Oscar Contender "Revenant"

Christopher Benfey New York Review of Books
Despite its flimsy historical underpinnings, The Revenant is actually a dream-film throughout. There are sequences—like the improbable dive over a cliff into the waiting arms of a huge tree, or the abandoned cathedral equipped with a Baroque crucifix and a silently swinging bell—where you aren’t quite sure, and you don’t much mind, if what you’re watching is meant to be “really” happening to Hugh Glass or just transpiring in his (or perhaps Iñárritu’s) head.

Food Trends for 2016

Chris Urban Restaurant News
In the ever-evolving restaurant industry, trend forecasts range from menu tweaks to technological and social upheavals.

What's New

Jill McDonough AGNI
For the novelty fetishists, everything's new, new, new. Boston-based poet Jill McDonough shines a light on what's happening, what's coming. Only maybe not.

I am French

Jeremy Harding London Review of Books
Were the mass 'We are Charlie' demonstrations in France in support of 'We are France,' in the best republican tradition or a shot against Muslim immigrants signifying that 'You are not?' Polymath Emmanuel Todd argues that the demonstrations, like much of Charlie Hebdo's satire, were not so much attacks on toxic religious ideology as broadly anti-Muslim and anti-Arab, indicating that the vaunted French secularism has lost its solidaristic component, 'equality.'