Portside

Tanuja Wakefield, daughter of Indian immigrants, depicts the anguish and anger of being taunted for the color of her skin.

The courtesan in literature is an object of desire, but prostitutes of any gender are despised in law and in the popular culture. The book and film under review excoriate the reactionary hypocrisy and chart sex workers fighting back.

This book, the first 21st Century study of the frontier myth, writes reviewer Nathans-Kelly, comes at a time when "the United States has turned inward and backward with the same vehemence it once directed toward expansion and progress."

The big draw of the exuberant documentary “Knock Down the House” — about four women who ran for Congress in 2018 — is Representative Alexandria Ocasio-Cortez, Democrat of New York. 

Rome, Gala, Golden Delicious, Fuji, Jonagold, Granny Smith, Opal, Envy, Arkansas Black, Honeycrisp, Winesap, Braeburn, or Jazz--it can take a solo orchardist a lifetime to cultivate a grove of sturdy hybrids.

A tyrannous Dutch governor proves no match for an unlikely group of insurgents in the slick, stylised Southeast Asian take on a traditional US western

Mississippi poet Philip C. Kolin takes the president at his word(s) and turns the table(s).

Canada and the United States are similar enough culturally, but in class relations for some 70 years the two stand markedly apart. The book under review helps to explain the multifaceted reasons why.

In this new book, Zambian-born economist Dambisa Moyo is concerned with the relationship between democracy and economic growth. Reviewer Donohoe considers whether the author sees any intrinsic value in democracy.

The film series “Roberto Gavaldón: Night Falls in Mexico” at the Museum of Modern Art (NY) showcases the rarely screened signature achievement of the Western hemisphere’s second-most-robust film industry in the decades surrounding World War II.