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Nomads in Search of a Villain

Paris Marx Jacobin
The new film Nomadland is a heartfelt look at the lives of itinerant Americans cast aside by the Great Recession. But it ignores how employers like Amazon are raking in profits off this new class of worker.

Woke Me When It’s Over

Bret Stephens The New York Times
In the humorless world of Woke, the satire is never funny and the statute of limitations never expires, even when it comes to hamantaschen.

The CW’s Superman & Lois Premiere Is Surprisingly Somber

Caroline Siede AV Club
Superman & Lois pointedly comments on real-world issues. The Daily Planet suffers a round of brutal media layoffs and Smallville, once thriving, is crumbling under an economic collapse that sees big businesses buying up all the small family farms.

Tuff

Fred Norman
California poet Fred Norman offers a beautiful elegy to Lawrence Ferlinghetti.

The Dead Are Arising—The Life of Malcolm X

Herb Boyd Amsterdam News
This award-winning biography mines some hitherto untapped sources, including extensive interviews with members of Malcolm X's immediate family, to present the fullest picture yet of the famed Black Liberation Movement leader.

Taking it to the street: Food vending during and after COVID-19

Catherine Brinkley The Conversation
Yusuf Abdullah, one of the city’s horse-cart produce vendors known as arabbers, leads Tony and his cart through the streets of Baltimore, Maryland.
Curbside produce vendors often help communities that lack a grocery store to maintain access to healthy, inexpensive food. But long before the pandemic, many cities made it difficult for mobile produce sellers and other street food vendors to operate

Nomadland Turns American Iconography Inside Out

Alissa Wilkinson Vox
Nomadland is a piercing look into a country that’s becoming less and less inhabitable for its older men and women, and more stingy about who gets to dream. And, fundamentally, it’s a poignant portrait of a broken heart.

High School Production of Les Miserables

Connie Post Ovenbird Poetry
Connie Post’s remarkable poem illuminates how our culture programs us to grieve for soldiers but accept exploitation of young women.