Portside

Wildly funny and clever, this is a play a serious theater-goer cannot miss. It's a terrific campy surreal take on murderous war from the point of view of the workers who have to clean up the mess, the bloody bodies of Shakespeare's Titus Andronicus.

The Lebanese American poet struggles to transcend a mother’s worry in a war-torn city, “your nightmare, a faint echo/of raging battles.”

A book not only for history buffs but for activists focuses on the Levellers in a history from the bottom-up that tells the story of a revolutionary mid-17th century British radical group that turned its world upside down.

This book argues, says reviewer Maly, that "the Googles and Facebooks of this world are shaping an antidemocratic world," using our data to produce "raw material in the production of predictive products that eliminate our freedom."

How should we label products that imitate other products? Who has the right to use certain words? What do those words truly mean?

The Last Black Man In San Francisco doesn’t follow an established playbook. It tries to write a new one, earnestly to life as it’s lived and dreamed.

In jumping from 1988 to 1990, “Pose” is now necessarily tackling the urgency of the AIDS crisis and its devastating ripple effects throughout the communities the show has so lovingly portrayed.

California poet Alison Luterman moves the reader from the despair of the 2016 election to the longer passage “of empire and uprising,/ extinction and evolution….”

Critics of Marxism craft a veritable mythic horror show of allegations against Marx and his critique of capitalist social relations. The book under review cleverly and effectively demolishes 10 of these myths. The review deep-dives into two of them.

In this book, writes reviewer Barsanti, author Ashley Dawson sets out not just to prove how cities "are gravely threatened by climate change," but to also show how "capitalism and class feed into and even exacerbate that threat."