Portside

A native of Chicago, the poet Philip C. Kolin laments how the City of Broad Shoulders has become a death trap for the young.

Naomi Klein, the author of No Logos and other sharp critiques of capitalist culture and power, offers in her latest publication an in-depth elaboration of the book's title and a call-to-arms for a resistance that goes beyond criticism of Trump's malign politics to the need for mobilization on hundreds of viable and necessary fronts.

This new book joins a growing literature that takes a look at and tries to uncover the roots of today's right wing movement.

Classism, racism, and sexism in the age of (Ivanka) Trump are on full display in the film's clash of sage-burning touchy-feely types versus captains of industry.

There are at least 200 compounds contributing to the flavor of chiles and they all have a different effect. Capsaicin is the most common, first to be discovered, and hottest of the capsaicinoid family, but every chile contains a somewhat different mix of capsaicin, dihydrocapsaicin, nordihydrocapsaicin, homodihydrocapsaicin, nornordihydrocapsaicin, and quite a few others.

“Brown men aren’t scared of brown women, they are scared of being boring and predictable if they end up with one,” Shriya Samarth, a media junkie and friend, told me over the phone. “Whereas brown women can genuinely fear the expectations of being a daughter-in-law, brown wife, etc.”

The late 1960s, a moment of awakening and consciousness raising, emerges in Sandra Anfang’s surprising poem about a good teacher and an eager student.

Hugo Chavez, with Ignacio Ramonet, Chavez: My First Life (translated by Ann Wright) Verso, 544 pp, Hardback, $36.00, August 2016, ISBN 978 1 78478 383 9 A balanced look at the early days and years in power of Venezuelan general cum President Hugo Chavez, who, while widely accused of authoritarian practices against his opposition, was singular among Latin American populist leaders in never aligning with the nation's bourgeoisie or turning on his left allies.

A new book examines Du Bois's radicalism, tracing its career-long development.

Beyond a reliance on disproved claims about race and genetics, the Gadot controversy has quite simply lost sight of the fact that race is primarily a function of place.