Portside

The new documentary film Solitary goes inside a supermax prison to discover what it’s like being in solitary confinement—a practice experts now describe as unnecessary and prisoners say is torture.

Child nutrition reauthorization draft calls for increases in school breakfast reimbursement and other compromises included in the Senate draft, but also raises the threshold for CEO eligibility

The PBS-aired educational program 3-2-1 Contact was one of the best things on TV in the 1980s.

Milwaukee poet Phyllis Wax throws a cold eye on this year's election: her conclusion is chilling.

In the period between the world wars, Stefan Zweig was among the world's best-known authors. His books would soon fuel Nazi bonfires. Zweig held that humanity could no longer afford the belligerent nationalism that had led them into the Great War. Yet Zweig was struck dumb by post 1933 events. That failure, the reviewer says, was of imagination, not nerve. Against the Nazis' depredations, all the consummate writer and speaker could muster was nostalgia for a lost world.

This new book by a retired Army colonel and emeritus professor of history at Boston University tells the story of decades of US policy failures in the Middle East.

The new Mapplethorpe film begins with the voice of Senator Jesse Helms exhorting everyone to, "Look at the pictures!" He was protesting an exhibit of Mapplethorpe's work that he viewed as pornographic, and we see the conservative politician waving what he viewed as smut, seeking to inflame the culture wars, despite the fact that Mapplethorpe had died just a few months prior at the age of 42 of AIDS. That protest turned out to solidify the artist's legend.

The flourishing of soul food’s sub-genres has been fun to watch (and eat), but it has also meant that fewer African-American chefs are embracing traditional soul food. Some side-step the cuisine in order to avoid being pigeon-holed as a “soul-food cooks,” while others follow their passions for other flavors.

Le Carré's 1993 novel comes to life in a six-part AMC series. John Powers says the show, which jets from Egyptian streets to posh Alpine lodges, is one of the most enjoyable thrillers he's seen on TV. Over the years, le Carré's anger at those in power has become less ambiguous and more sharply focused, whether he's going after drug company profiteering or America's approach to the War on Terror.

With a sharp eye for detail and an unrelenting instinct for trouble, Los Angeles poet Alexis Rhone Fancher presents the sad working woman behind the counter.