Portside

Native American cooking has all the makings of a culinary trend, but it’s been limited by many diners’ unfamiliarity with its dishes and its loaded history.

One of the most compelling undercurrents of the show is how it's developed a kind of “against the grain” feminism with its female characters. This came to a head in Season 6, arguably Game of Thrones' most feminist season yet.

The Encyclopedia Britannica has gone through many editions, but the 1910-1911 scholars edition is nonpareil. Dennis Boyles' book says why, and enumerates what is lost when readers gain accessibility and cost-savings from easy access to Wikipedia and other venues but lose in depth and authority.

This memoir by physics and geology professor Anatole Dolgoff of his father, IWW activist Sam Dolgoff (1902-1990), beautifully captures the aura of the anarchist and related movements in the United States in the latter half of the 20th century, says reviewer Peter Cole.

Much of Anne Fontaine’s blistering film “The Innocents” is set within the walls of a Polish convent in December 1945, just after the end of World War II. What at first appears to be an austere, holy retreat from surrounding horrors is revealed to be a savagely violated sanctuary awash in fear, trauma and shame. The snow-covered, forested landscape of the convent is photographed to suggest an ominous frontier that offers no refuge from marauding outsiders.

American bureaucrats, seed sellers, food company executives and farmers seek the prizes that are likely to come if the United States ends its trade restrictions against Cuba.

The BET Awards Sunday featured tributes to Prince and Muhammad Ali, and a performance by Beyoncé and Kendrick Lamar. But this year, the actor Jesse Williams commanded the spotlight with an impassioned speech calling for an end to police killings, racial inequality and cultural appropriation.

David Hernandez, poet from southern California, brings us to a moment of tragedy--seemingly random, seemingly fated--from the Iraq War.

New York poet Carolyn Raphael offers a not-so subtle warning to those summer readers who bake too long on the sand.

While a sharp contribution to discussions of women's oppression and liberation, the book under review is faulted for not demonstrating the actual radical connection between class and other forms of oppression. While rejecting a tendency to reduce Marxism to a one-dimensional critique of class, the book's author is faulted for downplaying the limits of intersectionality as not articulating--but instead fudging--the existing gulf between identity politics and Marxism.