Portside

Women’s movements are often born in periods of general political upsurge. Why isn’t that happening? Why do young feminists seem more interested in social media than in building feminist organizations?

Landmark Labor Movement documentary “The Wobblies” makes its return to theaters over 30 years after first premiering at the New York Film Festival in 1979, and IndieWire has the exclusive new trailer here.

For more than a decade, Italian street artist Pier Paolo Spinazzè has been covering neo-fascist graffiti and offensive writings with colorful murals depicting all sorts of foods.

The “Truth Hurts” singer searches for new backup dancers in the uplifting Prime Video competition series.

Anyone passing through high school discipline will appreciate the fate of Brandon as told by his teacher, Missouri Laureate Maryfrances Wagner.

The postwar Second Red Scare successfully smashed the American left. But in the midst of its devastation, a small number of old leftists refused to be shut up by the climate of fear. Without their heroism, the New Left could never have emerged.

CODA may not really be 2021’s best film, but CODA’s Best Picture win might just make the best sense. As a representative of the topsy-turvy movie year, in a topsy-turvy world, handed out at a remarkably topsy-turvy Oscars, it might not be half bad.

According to reports from Yale's Chief Executive Leadership Institute, a colossus of Mexican food conglomerates still maintains operations in Russia.

In WeCrashed, it isn’t just that the Neumanns were so charismatic or that people looked the other way. People wanted to believe in changing the world.

Anti-war activist Jan Barry sees in the Ukraine crisis both memories of older wars and a warning.