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Law of Tehran Review – Gritty Iranian Crime Thriller Takes No Prisoners

Mark Kermode The Guardian
Iranian American screen polymath Payman Maadi (who made such an impact in films such as Asghar Farhadi’s A Separation) is Samad, a cop waging an apparently unwinnable war on drugs in the Iranian capital. Having rounded up a vast community of addicts living and dying within a hellscape of giant concrete pipes, Samad and his deputy, Hamid (Houman Kiai), treat their captives like cattle, stripping and humiliating them, herding them from one overcrowded prison space to the next.

The Cold War Was Never About Democracy

Vincent Bevins, Loren Balhorn Rosa-Luxemburg-Stiftung
After World War II, the Indonesian Communist Party threw itself into democratic politics and outreach to broad segments of society. Western intelligence agencies were worried because they knew that the PKI was not coercing people into giving them power — they were simply growing in popularity.