The Self-Destruction of Ye

Charles Blow New York Times
Ye knows that fueling Black conspicuous consumption and even addiction is profit. Instead of wanting to flip that table, Ye wanted to sit at the head of it. Instead of being revolted by the economic arm of white supremacy, he aspired to it.

film

Chorus and Catharsis: A Breakdown of One Night in Miami's Best Scene

Isaac Feldberg Paste
One Night in Miami is incisive about the pressures of Black celebrity, and its central dialogue circles the question of what its characters—all icons in their own right—owe to both the Black community at large and a nascent civil rights movement.
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