Daniel Barenboim on Music, Israel and Playing in Gaza
Channel 4 News (Ireland)
With its numerous religious awakenings and repeated instances of religiosity as political theater, it's easy to forget US civic life is secular. Author Kevin Kruse argues that the effort to ground political rights in spiritual authority and not in democratic discussion and decision-making originated with a coterie of corporate heads, right-wing politicians, reactionary pastors and cultural icons as a bulwark against progressive politics and New Deal legislation.
Scholars are producing increasingly detailed accounts of how the U.S. government utilized artists and culture in the Cold War anti-Communist crusade. According to former diplomat John H. Brown, this new study, by Greg Barnhisel, shows that an important factor in making modernism work for U.S. Cold War interests involved "defanging modernism of its radicalism and turning it into an international vehicle for whitebread all-American convictions."
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Remembering Jim Knutson
Anatomy of a cultural product with the potential to ameliorate social inequities but threatened by digital corporate conglomeration and hijacking by the security state. Book covers the implications for cultural democracy in various sectors-music, film, news, advertising-how battles over copyright, piracy and privacy laws have evolved, counterpoints to invasive data-mining and a "People's Platform" supporting the politics of a fightback.
Popular culture may be getting more diverse in terms of gender and skin color, but it's still mostly flat in presenting diverse human qualities and differences. Few characters play against type, which makes the exceptions all the more remarkable. Part of the power of characters playing against type is simply their insistence, humorous and without qualified explanation, of their existence. In other words, like most of comedy, its power is better experienced, not explained
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