Portside

McQueen makes a point of integrating into the film what is rarely seen in movies of this sort: a sharp depiction of racism among Londoners, the enraging sort that has so calcified it still surfaces when people are just trying to survive.

Merging documentary with sci-fi, this new film narrates the ethnic cleansing of the Palestinian city in 1948, and imagines what it would look like if the war never happened. So the Israeli government banned it from being screened.

A gripping film about the fight to unionize workers at an Amazon warehouse in Staten Island might be an observational documentary at heart, but this in-the-trenches portrait of grassroots organizing doesn’t leave any doubt as to whose side it's on.

Trump supporters will never go see 'The Apprentice' and anti-Trumpers won’t be able to bear two hours watching the bane of their existence rise to wealth and power. This lack of a clear audience spells an unfortunate box-office bomb.

Set against the corrupt, soulless “greed is good” (or was it greed is god?) era of Reaganomics, the punk characters of Repo Man consist of cynical suburban youth...

In “I Am Gitmo,” French director Philippe Diaz recreates the torture rooms inside the Guantanamo Bay Detention Center.

A new restoration of Frank Borzage’s 'Man’s Castle' starring Loretta Young and Spencer Tracy, showcases the visionary Hollywood director’s lusty yet spiritual artistry balancing a sharply etched view of poverty in the shadow of wealth.

In an Interview with IndieWire filmmaker Alex Garland talks about why his film 'Civil War' keeps what led to its onscreen portrait of a divided America offscreen.