Portside

This documentary lets nobody off the hook. Discomfort is crucial to the film's complexity and is why it works as somewhat of an ethical and intellectual provocation. Mr. Kapadia isn’t simply revisiting Ms. Winehouse’s life and death, but also — by pulling you in close to her, first pleasantly and then unpleasantly — telling the story of contemporary celebrity and, crucially, fandom’s cost.

From 100 hours of recently unearthed audiotapes recorded over decades, the Liz Garbus film weaves together Nina’s narrative, told largely in her own words. Rare concert footage, archival interviews, along with diaries, letters, interviews with Nina’s daughter, Lisa Simone Kelly, friends and collaborators, make this the most authentic, personal and unflinching telling of the extraordinary life of one of the 20th century’s greatest recording artists.

The films that opened and closed the Human Rights Watch Film Festival - Marc Silver’s 3 ½ Minutes, Ten Bullets, and Stanley Nelson’s The Black Panthers: Vanguard of the Revolution - tell interlocking stories. Although more than four decades separate the events they trace, there is a connection between what happened in the 1960s, when cities exploded in the wake of the assassination of the Rev. Dr. Martin Luther Kiing and discord today.

Looking for a decent, memorable biopic about a black woman is like waiting for Haley’s Comet. To find one, you’d have to jump all the way back to Halle Berry’s Emmy-winning turn in Introducing Dorothy Dandridge in 1999, and before that, Angela Bassett as Tina Turner in 1993’s What’s Love Got to Do With It, and before that, Diana Ross as Billie Holiday. Dee Rees’ feature about blues legend Bessie Smith on HBO joins the ranks of those aforementioned films.

In Andrew Niccol's 'Good Kill', fresh from his Oscar-nominated role in Boyhood, Ethan Hawke portrays pilot Major Tom Egan, who, after repeat combat tours flying over the Iraq and Afghan theaters of conflict, is now stationed outside Las Vegas, where he is deeply conflicted by his role in the UAV liquidation-by-remote-control project.

Clouds of Sils Maria is a prolonged debate about the passage of time and the ceaseless rivalry of generations.

The Third Reich produced 1,200 films, 300 of which were banned after WWII as dangerous propaganda. Forbidden Films examines the 40 that remain effectively banned to this day, locked inside a German federal film archive and only made availavle to researchers. Are they historical evidence, incitements to murder, fascist pornography, evergreen entertainments, toxic waste or passé kitsch? Are these films better shown and discussed rather than repressed and forgotten?

Each term my film students watch Spike Lee’s Do the Right Thing (1989). And each term they react similarly to the scene in which Mookie (Spike Lee) throws a trash can, igniting a neighborhood riot by breaking the window of the pizzeria where he works. Most students of color feel Lee’s character did the right thing while the majority of white students cannot understand why Mookie would do such a thing to his boss. Why this reaction—term after term, year after year?