The American movie industry has been one of the most consistently unionized sectors of the economy since the 1930s — but to achieve that, workers had to overcome “the iron fist of the moguls” and organized crime, says historian Gerald Horne
What distinguished DuBois' close study of slavery and Reconstruction (and does so even today) was its Marxism. Black Reconstruction was his first extended effort to shine Marxism’s sweeping floodlight on the tortured history of his homeland.
In this interview, Horne describes the role of racism in the development of jazz, the gulf between its domestic and international reception; and why creativity, improvisation and technical mastery were a means of survival for its performers.
Reader Comments - Gaza, Israel, Palestine and the Jewish Community; Water Privatization; Charlie Haden; McDonald's and Low-wage Workers; Portside Book Reviews; Koch Bros.; Universal Soldier; Argentina; HIV; NSA, spying and Saudi Arabia; Public Education; Market Basket Revolt;
Immigration Reform Infographic; new poems by Tom Karlson and Alan Gilbert;
Afro-American Artists to Present Works in Cuba; Sinéad O'Connor: 'I Won't Play in Israel'
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Announcements - Gerald Horne keynote's Chicago Human Rights Awards - Jun 15; Film Premier - Camp Kinderland "Commie Camp" - New York - Jun 28; Jerry Tucker Memorial Conference, St. Louis - Oct 11-13
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