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The narrative brilliance of director Raoul Peck (I Am Not Your Negro) tells the story of Karl Marx's marriage, soaring vision, political exile and partnership with Frederick Engels. Check local listings for showtimes.
Saying Marxism is a science is preface. Add organized sarcasm and we come closer to mocking not so much intimate feelings associated with worldly illusions but their form in a particular perishable world. It aims to give new form to certain aspirations, the better to regenerate them. Yet if Marxist movements are to be effective, they must create new tastes and a new language for struggles to be born. Sarcasm then is about what outrages our sense of what should be.
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David Harvey seeks to renew our reading of Marx's Capital in the wake of capitalism's current multifaceted crisis.
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Haitian Raoul Peck ('I Am Not Your Negro') directs an indie biopic that narrates the early stormy development of communism through the prism of the Marx-Engels partnership. In select theaters.
Suddenly, Marx is cool again, mainly because he was, and remains today, one of capitalism’s most astute critics. Happy Birthday Karl, and thanks.
The author argues that the Terror of the French Revolution was a price worth paying, and that the lessons from overthrowing the old regime should temper today's trend of maligning oppressed people's resort to violence as itself a rationale for ongoing class injustices. The reviewer, no critic of revolutionary struggle, argues that the author overemphasizes the pursuit of vengeance then and now involved at the expense of politics and a weighing of class forces.
The late Marxist historian Eric Hobsbawm recounts the origins of International Workers' Day.
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