Portside

“Brown men aren’t scared of brown women, they are scared of being boring and predictable if they end up with one,” Shriya Samarth, a media junkie and friend, told me over the phone. “Whereas brown women can genuinely fear the expectations of being a daughter-in-law, brown wife, etc.”

Master of None's second season tackles the intersection of queer identities and race, as well as the diversity of New York City, painting a fuller picture of the city than shows that have come before like Girls, or even Louie.

Plenty of shows can self-reflexively comment on Hollywood’s systemic diversity and race problems, but Master Of None does so within an episode that simultaneously practices exactly what it’s preaching, which gives the show legitimacy.