The Mexican Muralists Had a Vital Influence on US Art. Can Their Revolutionary Approach Offer Lessons for the Present?
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afterimage, the journal of media arts and cultural criticism, vol. 40, no. 6
Can photographers be participants in the social events they document? Eighty years ago the question would have seemed irrelevant in the political upsurges of the 1930s, in both Mexico and the United States. Many photographers were political activists, and saw their work intimately connected to workers strikes, political revolution or the movements for indigenous rights. Now a book and a recent exhibition should reopen this debate.