In their encounters with Western art, Soviet audiences found ways to reimagine themselves.
Tarantino succeeds in superimposing two meta-narratives: the end of the Western and the self-destruction of the counterculture. Both stories are symptomatic of the war in Vietnam, though here Vietnam is little more than background.
Celebrity chef José Andrés and his nonprofit humanitarian relief organization, World Central Kitchen, have served more than 200,000 free meals in the Bahamas and distributed food in the Carolinas and Florida since Dorian hit.
This visually stunning show is a trippy sci-fi drama and a lovely story about a woman dealing with trauma, all in one.
Decades after the US retreat from Vietnam, the causes of the war and the outcome are still controversial if not murky, its lessons still not understood by US foreign policy makers. A comprehensive new book aims to clear away much of the detritus.
The argument that's usually framed as "identity politics" versus "class politics" is one of the animating features of today's insurgent left. Both this book and reviewer Gandesha seek to unpack this argument's complexities.
"Joker" is bold reinvention of 'superhero cinema' and about the dehumanizing effect of a capitalistic system that greases the economic ladder, blurring the line between private wealth and personal worth until life itself loses its absolute value.
It is worth noting the existence of this thing as a cultural symbol of the way in which Venezuela—which, whatever your thoughts on it, is not, like, al-Qaeda—is becoming the new Russia.
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