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The show’s first queer storylines have been met with backlash, homophobia, and misogynoir.

Writer-director Leslye Headland’s new series takes a nuanced approach to representation.

The Last of Us director Peter Hoar wanted people to understand that queer love is real and "It's just the same love."

Ultimately the new Queer as Folk, by telling a wider and more disparate set of stories, manages to produce a narrative that's broader and deeper — and significantly queerer — than its predecessors.

There's one area where Ted Lasso might be sticking a little too close to the source material – its lack of LGBTQ+ characters.

The comic’s series about addiction and relationships is both a tender exploration of trauma, and extraordinarily funny. This is TV that gives you a crash course in empathy

American Gods star Dana Aliya Levinson on the Grand Peacock Inn's "radical" queer divinity: "To feel celebrated and uplifted in a sexual scene, was just incredibly healing."

To see one of the few dark-skinned fat queer women on HBO's Lovecraft Country killed off by their white racist lover was just so deeply upsetting.