Toshi Seeger Passes - Mark D. Moss (Sing Out! Magazine)
Toshi Seeger, wife of folk legend Pete Seeger, dies (Poughkeepsie Journal)
Clearwater Grieves Loss of Toshi Seeger (Hudson River Sloop Clearwater)
Interview: Toshi-Aline Ota Seeger - Sue Leonard (Persimmon Tree)
by Mark D. Moss
July 10, 2013
Toshi-Aline Ohta Seeger, wife of folk music icon Pete Seeger, passed away overnight on Tuesday, July 9th. She was a mother, an organizer, an activist and filmmaker ... and an essential part of all of her husband's work. She was 91.
As much as Pete is a consummate dreamer and optimist, Toshi had a strength and brilliance that was at least his equal. There's was a true partnership. Without Toshi's counsel and support, and always outspoken and direct opinions, it's clear to anyone who ever met these two remarkable people that, without Toshi, Pete would never have had the foundation and freedom to do the work that made him so legendary.
But Toshi, despite her profound wisdom, strength, morality and courage, was also extremely modest and self-effacing. Often rebuffing attention paid to her, and always doing a loving job at making sure that Pete was always grounded and clear about how his work, his missions, were always bigger than a single man or woman.
Toshi was born in Munich, Germany, to an American mother and a Japanese father. Her parents brought her to the U.S. when she was 6 months old, as soon as it became legal for the two to be married here. They found an apartment in New York City, where her father found work as the building's caretaker.
Toshi grew up in a family of progressives. She went to the High School of Music and Art, and . After a few years of friendship, meeting Pete at square dances around NYC, Pete and Toshi were married in 1943, just before Pete was about to ship out overseas. She was age 21 at the time. Pete wrote in his autobiography that they "found we had much in common. Her parents were extraordinary people. We were all very close. Her mother, descended from Old Virginny (slave owners), had declared her independence from that racist part of her tradition, moved to Greenwich Village, married a Japanese who was in political exile, as militarists were taking over his homeland. He did important and dangerous work for the U.S. Army in WWII.
While he was overseas during the war, Pete and Toshi corresponded via letters incessantly.
In 1949, following the war, the two moved to Beacon, NY, where they raised their children Danny, Mika and Tinya. They built a cabin for shelter, and lived in that beautiful woodland mountain ever since.
Over the last decades, Toshi became a key leader and artistic programmer for the Great Hudson River Revival, the annual fundraiser for the Clearwater organization, and a true mecca for those of us who adopted Pete, and Toshi's, view that music could be a tool to help focus activism. She also played a pivotal role in Clearwater sloop voyages. Pete often sang her praises as an organizer: "after having to organize me for 66 years, no wonder."
Toshi's credits also included filmmaking, recording Texas inmates performing hard labor. The film, "Afro-American Work Songs in a Texas Prison," is part of the Library of Congress archives.
Toshi Cooks Soup - Photo by Ed Renehan / Sing Out! Magazine
Pete's career became a consuming part of her life, and he spent many days away from the home. After being acquitted after the House Committee on Un-American Activities, Toshi had said "Never again. Next time no appeal. Let him go to jail."
But the two remained strong throughout the years. She took care of the home, always gardening and was a terrific cook, raising their children and making a wonderful home as Pete traveled the world making his music.
Toshi suffered from ailing health these past few years, and her trips around the Revival "campus" during the festival had stopped ... but the love and admiration we all had for this great lady was not diminished one sliver. She will be greatly missed ... and we send our deepest condolences to Pete and the rest of the family.
[Mark D. Moss is the editor of Sing Out! magazine, and has served as the executive director at Sing Out! since 1983.]
July 10, 2013
Pete Seeger speaks with attendees at an event at Dia:Beacon April 11, 2013 to celebrate Pete Seeger's release of a new audio book. In the background is Seeger's spouse, Toshi Seeger, who died Tuesday night.
Poughkeepsie Journal / Karl Rabe
Toshi Seeger, wife of environmental activist and folk legend Pete Seeger, died Tuesday night.
Jeff Rumpf, executive director of Clearwater, said her death is "a huge loss for Clearwater and the world.
"Toshi is a real mother, a mother for social justice, a mother for festivals all over the world and people singing," he said. "She is a mother that embodies all the spirit your own mother does and spreads it out over the community. We're really going to miss Toshi."
Rump said Toshi played a pivotal role in the success of the annual Clearwater festival, which was held last month at Croton-Point Park in Westchester County. More than 15,000 people attended the festival and there were more than 1,000 volunteers. She was heavily involved in logistics and cooked for hundreds and hundreds of volunteers.
"She pushed for the festival being a cause not a concert," he said. "She made the festival happen. She is the mother of the festival.
"The most important thing for her was making sure the music represented as much diversity as possible," Rumpf said. "She was always looking for people to open their minds."
Rumpf also said Toshi was a strong proponent of the Clearwater staff and board having diverse representation and she played a critical role in Clearwater's Green Cities initiative, which tool the group's message of environmental conservation into urban areas.
July 11, 2013
BEACON, NY - Toshi Seeger, Clearwater matriarch and wife and partner to Clearwater founder Pete Seeger for almost seventy years, passed away Wednesday morning at home. Toshi Seeger's efforts and influence were key to the founding of Hudson River Sloop Clearwater over 45 years ago, and also to its continued evolution as an environmental organization serving the Hudson River Valley today.
Toshi Seeger at Clearwater
credit - Clearwater / Econosmith
Toshi-Aline Ohta Seeger co-founded Hudson River Sloop Clearwater with husband, musician and activist, Pete Seeger in 1966. Toshi was involved with Clearwater in multiple ways from the organization's beginnings and helped to steer the various folk concerts and events, including Pumpkin Sail and the early incarnations of the Clearwater Festival. She was active in the development of what has been known as the Great Hudson River Revival for 35 years, a music and environmental festival that welcomes over 20,000 visitors to Croton Point Park in Westchester County, NY each year.
Toshi attended many of Clearwater's earliest board meetings and helped the organization develop its mission and methods. With a fine analytical mind, she was cognizant and vocal about how Clearwater's work fit into the larger picture and sought to involve the local communities including as many different kinds of people and points of view. Toshi was important to setting the tone of the festivals, from establishing a great deal of the booking to starting the "litter pickers" program that evolved into the Clearwater Festival's award-winning Zero Waste program.
Many Clearwater members recall that she "fed the world" and brought the Stone Soup tradition to every type of Clearwater event. When the sloop Clearwater was launched in South Bristol, she headed up the effort to feed over 2000 people. "We of little faith could not believe we could do that, but Toshi showed us how, said Debbie Cohen. She always helped us do more than we thought we could (and I still have her in my head)."
Clearwater founding member Hal Cohen shared that, "All of us were enriched by her, and our lives are better because of her."
Toshi was truly a selfless soul - the unsung force behind so many of our dreams for a just world," said Travis Jeffrey, longtime family friend. "She not only fed our bodies with her remarkable culinary concoctions, but she fed our spirits to keep us all going. She was as good, as honest, and as candidly straightforward a person as I have ever known. I will not attempt to count her accomplishments; I'm just proud to have counted her as a friend."
Toshi's contributions to Clearwater over the past four decades are countless and she will be missed by all. Clearwater extends its deepest condolences to Pete Seeger and to the Seeger Family.
by Sue Leonard
Summer 2012 issue
Toshi Seeger (2012)
credit - Photo by Econosmith (Persimmon Tree)
On a perfectly beautiful spring day, I drove up the Hudson to visit Toshi Seeger at her home in Beacon, N.Y. Toshi was on her bed resting up from an early visit from Judy Collins, who had dropped by to record some music with her husband, Pete.
"I met you some years ago with my late husband, John Leonard."
"THE John Leonard?"
"Like THE Pete Seeger."
Toshi protested she couldn't do an interview - couldn't hear, didn't remember, wasn't interesting. When Judy was leaving, Toshi got up to go into the kitchen and say good-bye - good manners are important to her; we followed. (Judy, by the way, is stunningly beautiful!) Once in the kitchen, she stayed up and sat at the table. Pete went to see the visitors off, then disappeared leaving us to talk, with her daughter Tinya prompting, about her life.
Toshi's mother came from a family of well-to-do Virginians. Her father had emigrated from Japan; he worked for her mother's family as a butler. The two fell in love, but could not marry in the U.S.; he would have been deported and she would have lost her citizenship. Pregnant, her mother fled to Munich, traveling with a girlfriend, and had her baby three months after she arrived there. Because she was born of a Japanese father, even though her mother was American, Toshi was not a citizen (the policy of a father's citizenship determining the child's only applied to Asians) and had to apply for American citizenship years later.
Her mother returned to the U.S. when in 1922 it had become legal for them to marry, at least in the state of New York; Toshi was six months old. Her father had come to New York City earlier to look for a place to live, but was unsuccessful until someone suggested he go to the Henry Street Settlement House for help. Help they did: They found the fledgling family an apartment and gave her father enough money for a security deposit and one month's rent in a building where he was able to work as a caretaker.
As a young child, Toshi lived in Woodstock in a small, narrow house where her family grew vegetables and kept chickens. No one, Toshi said, ate the chickens, just their eggs, because they were pets (unless her Uncle Al visited and they cooked one for his dinner). Later they moved back to New York City. Her parents, being left-wing activists (her father was a Communist and her mother worked for the women's movement) sent Toshi to The Little Red Schoolhouse then onto the High School of Music and Art where she played piano and was a member of the first graduating class.
Toshi and Pete (they had been friends for years) married in 1943 because he was going overseas. ( "It was wartime, that's what you did.") They lived in different places, mostly either with her mother - for a while on MacDougal Alley, a tiny cul-de-sac just north of Washington Square Park. In fact, she lived with her parents always - with or without Pete - until, in 1949, the Seegers moved to Beacon, a factory town on the west bank of the Hudson River, and bought land. Their two older children, Danny and Mika, were born in the city; Tinya, the youngest, was born in Beacon.
At first they lived in a tent with the two small children. They cut down trees to build a cabin. Toshi hauled water from the stream, chopped lumber and stood on the roof beams, once there were some, to pull up logs (even though she was afraid of heights).
Toshi insisted she has no talent, that she doesn't sing or dance, she only does housework. A friend at the table who worked with her for decades, and Tinya, her daughter, urged her to take credit for Clearwater, both the sloop and, perhaps more importantly, the Festival (officially known as the Great Hudson River Revival) which has been filling the air with folk music since the 60s.
One talent: She was the key programmer for the Festival. Because she was friends with the people who organized the Folk Life Festival in D.C. and was close friends with George and Joyce Wein, organizers of the Newport Folk Festival where she was a member of the board, Toshi often knew about performers long before they were on most people's radar, even before most of the members of the Festival planning committee had heard of, say, Tracy Chapman. Clearwater may have paid poorly, but performers came because of Toshi; she was the one who pulled it all together.
Another talent: She was the navigator for the Clearwater voyages. Toshi had learned to sail with her family, way before Pete took it up; she taught him how to sail. Pete joined us and warmly underscored this role: "She was the one who steered the boat; she had the chart; she kept us off the rocks." Without the Clearwater voyages, which called attention to the contaminants that were killing the Hudson, the river might still be poisoned with PCBs.
And so she admitted she had had a role but said, "I didn't like bosses and hierarchies - I did a good job of camouflaging the boss role! If you try to talk about yourself, you sound like an egotist."
Toshi also shot films, folklore research films. At one point she went to Huntsville, Texas, where she produced a film of the prisoners chopping trees and singing their songs. The film, "Afro-American Work Songs in a Texas Prison,"can be found online in the Library of Congress archives. When Pete's career became all-consuming, her projects were "bookshelved".
This "bookshelving" prompted Sue to ask, "How did you keep from losing your identity being married to Pete?"
"I didn't. My girl children taught me not to lose so much."
While Tinya made lunch, Pete, ever the great raconteur, talked about the history of Beacon, from the time when, still a working-class town, a dye factory would spill its run-off into the river - pink one day, green another - until the DIA Art Foundation came up from New York City, about 10 years ago, and artists began to move in. As Pete supplied detail after detail, Toshi said softly, "Did you notice Sue stopped writing?" She twinkled.
[Sue Leonard is editor of Persimmon Tree; she retired from teaching history and politics at an independent girls' school in 2004