Nikki Giovanni, as a writer, she tackled race, gender, sex, politics and love. She was also a public intellectual who appeared on television and toured the country.
Hartigan’s book is the first full-length examination of Wilson’s life and art since his death in 2005 from liver cancer. There is both a need and demand for the story of how he and his work came to be.
Congo Square Theatre presents How I Learned What I Learned by August Wilson. Harry Lennix is featured in this one-man autobiographical play about growing up in Pittsburgh and moving through the experiences that would form him as a man and an artist.
The opera is among the first with an entirely Black and BIPOC cast and creative team, and it is the first to incorporate an onstage DJ as part of its 18-piece orchestration.
These seed savers are preserving and celebrating the enormous genetic diversity of collard greens. That enslaved Africans brought collard greens to the United States gives the project even more pathos.
In the 1970s, Robeson’s admirers — boosted by the upsurge of black studies and black cultural projects, the waning of the Cold War — began to rehabilitate his reputation with various tributes, documentary films, books, concerts, exhibits, and a play
She’s been canonized as a hero of both mainstream literature and radical politics. Who was she really?
A new collection explores the early twentieth-century artists and institutions that made the Black Chicago Renaissance possible.
The story of a young African-American man who comes of age in the South Side of Chicago, based on the seminal Richard Wright novel with the same title. Premieres April 6 on HBO.
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