Portside

For generations, entertainment media has invisibilized and/or stereotyped Black and Indigenous people with origins across Latin America, just as its Spanish and mestizo white supremacist leaders have done in this region throughout history.

More than all the various super beings out there, it's the ongoing forces of colonialist exploitation and violence that inform the conflict at the heart of this most recent story.

Director Phyllis Nagy told Jezebel it was important for her to “normalize this very common healthcare procedure, which it’s never treated as in movies.”

James Gray set out to make "the anti-nostalgia movie" about his relationship with a Black classmate and anti-Blackness in the '80s.

"It was from a humanizing perspective and was not one of objectifying or exploitation," said Chinonye Chukwu in an interview regarding ‘Till’

Don’t Worry Darling and Barbarian want us to remember gender is scary.

Conversations about cancel culture so often frame things in extreme terms for the sake of catching those Substack subscriptions and Twitter likes; they tell people exactly how to be outraged. But Field conducts discourse like a symphony.

Based on Joyce Carol Oates’s novel, Andrew Dominik’s film Blonde ignores the assertive and hardworking real-life Marilyn Monroe and instead gives us a lurid tale of perpetual victimization.

The film premieres amid a growing social media trend that romanticizes tradwives. But in Don’t Worry Darling, being a 1950s housewife is anything but romantic.

The historical action epic, starring Viola Davis, tells the story of the Agojie, female African warriors who once reigned supreme