Portside

"Joker" is bold reinvention of 'superhero cinema' and about the dehumanizing effect of a capitalistic system that greases the economic ladder, blurring the line between private wealth and personal worth until life itself loses its absolute value.

“The story of Miles Davis—who he was as a man and artist—has often been told as the tale of a drug-addled genius,” said director Stanley Nelson. “You rarely see a portrait of a man that worked hard at honing his craft..."

The recent trailer for Bombshell offers the second direct, on-screen depiction of a major #MeToo-era sexual harassment scandal— and it’s the first thata promises to do it well.

The charitable reading is that Ready Or Not understands how moneyed entitlement knows no gender—that the only way to break the arbitrary yet destructive grasp of the super-rich is to chop it off, or possibly light it on fire.

After a series of tweets from President Trump, Universal canceled the release of a film that’s been alternately praised and decried by critics who haven’t seen it.

“The Nightingale,” from Jennifer Kent, looks at the effects of sexual assault in 1820s Tasmania. Critics say it is too graphic; defenders say it reflects historical truths.

Burkinabè Rising showcases creative nonviolent resistance in Burkina Faso, a small, landlocked country in West Africa, home to a vibrant community of artists and engaged citizens, who provide an example of making inspirational political change.

Few films portray working people realistically. One thinks of rare movies such as Hollywood’s Norma Rae, the independent Salt of the Earth, Sergei Eisenstein’s Strike or the Italian classic, The Organizer.

Newly restored, Elaine May’s darkest comedy is one of the great underappreciated American movies of the 1970s.

Six black filmmakers discuss a 1990s boom that went bust. They talk about racism, misogyny, of being marginalized by executives who feigned interest in their work, of lacking a safety net that buoyed white peers, of 'director's jail'.