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Amazon's Cancellation of the Feminist Drama 'Good Girls Revolt' Feels Timely — But Not In a Good Way

Meredith Blake Los Angeles Times
“Good Girls Revolt” resisted the militant bra-burning feminist stereotype, instead depicting ambitious young women from a range of backgrounds — a black lawyer, a blond princess, a mousy aspiring novelist — each inspired to take action for unique reasons. It made feminism seem like an endeavor that was not only vital, but thrilling — and not just because of the newfound sexual freedom.

Can Supergirl Survive Trump?

Heather Davidson Polygon
What had been cautiously optimistic when the episode had premiered just a few weeks before was now upsettingly fantastical. In the wake of Donald Trump’s win, a pro-immigration woman of color being elected president seemed less realistic than the alien trying to kill her.

Is it Still "Diversity" or "Inclusion" if No One's Broke on TV?

Shannon M. Houston Paste
Why are we championing diversity and inclusivity when it comes to race and gender, but not class? Class, which we all know by now is just as much a defining factor in a person’s life as race or gender (if not moreso).

Jill Soloway on ‘Transparent’ Season 3, Future of Feminism and Confronting Privilege

Sonia Saraiya Variety
As the creator of a program that has become a vital example both of the transgender rights movement’s growing steam and of streaming television’s revolutionary power, “Transparent” creator, writer, and director Jill Soloway has become something of a lightning rod, too. As beloved as “Transparent” is, the show has also received criticism for the casting of a cisgender man (Jeffrey Tambor) as a transgender woman.

The Best Show on TV Right Now is About Living Carless in the Suburbs

Ben Adler Grist
The best show on TV right now is about working-class African-Americans in the Southern suburbs, and it highlights one of the country’s biggest, least-appreciated problems: living without a car in the midst of sprawl. The show demonstrates the suburbanization of poverty, including how hard it is for people in low-income neighborhoods to get to their jobs.

The Tragedy of Vice Principals

Andrew Simmons The Atlantic
The jokes in the HBO comedy may not be all that funny, but the show reveals something raw and authentic about public-school dynamics.

Luke Cage Is Truly a Hero for His Time

Charles Moss The Atlantic
The star of the new Netflix series was reimagined as a modern black champion. The show's creative team looked to current events to ground Cage in reality from a specifically African American perspective. They wanted the show to fulfill “comic-book geek sensibilities” while also digging into subjects such as police brutality, the gentrification of Harlem (where the show takes place), and even the privatization of prisons.