Portside

In a not-so-distant future, Norway has elected a radical branch of the Green Party, and its charismatic new prime minister shuts down the country’s supply of oil and gas to continental Europe. Despite an impending climate crisis, the EU is none too pleased with this overnight weaning from petrol, and invites Russia to offer Norway “technical assistance” in restoring its fossil fuel production. Russian gunships descend on Norway’s oil platforms.

“The Civil War truly was a time when women, for the lack of a better word, came into the workplace,” says PBS chief programming executive Beth Hoppe. “It was also a time when medicine was undergoing huge changes.” Mary Elizabeth Winstead, who plays a nurse, said that part of what she appreciated about “Mercy Street” was getting a part in a project where women find each other in conflict over power and intellectual traditions, rather than simply for the sake of drama.

During a presentation at the Television Critics Assn. press tour, executive producer Michael J. McDonald said he and Ridley wanted to explore tough issues that they did not get to examine last year, such as class and the education system.

Context is crucial to the politics of a narrative, always. In the context of the #BlackLivesMatter protests, and the increasing public focus on police brutality toward particularly African American communities in the U.S., it is important to ask how the fantasy of Luke Cage – a black man who is “unbreakable” – fits into the current socio-political landscape.

If the first five seasons of Downton Abbey—the British upstairs-downstairs soap opera that will have its sixth and final U.S. season premiere on Jan. 3—were about the structure of class divisions in English society, the last one is about those divisions crumbling.

Most international political thrillers rely on the interplay of fantasy and reality, using real countries and familiar politics in the frame of a fictional narrative. What makes CBS’s Madam Secretary unusual, even within that context, is that its episodes actually borrow from recent international events, relationships, and histories. The show’s universe can often feel like a surreal look into a parallel reality.

From ethically dubious telenovelas like El señor de los cielos to brutally insightful features like El infierno, Mexican media has become in many ways a reflection of the violence that has racked the country since the Cártel de Juárez took over the coke game from Pablo Escobar back in the 1990s.

This new series on Amazon imagines a world in which the Axis powers triumphed in World War II and carved up America into three zones: the Greater Nazi Reich in the East and Midwest, ruled from New York; the Japanese Pacific States, ruled from San Francisco; and a derelict neutral zone splitting them, running roughly along the Rocky Mountains.

The series is a nice reminder that although comic books are derided as a kids’ medium, their supernatural setups can provide us with clarifying thought experiments that allow us to approach our present dilemmas with fresh perspectives.

Plenty of shows can self-reflexively comment on Hollywood’s systemic diversity and race problems, but Master Of None does so within an episode that simultaneously practices exactly what it’s preaching, which gives the show legitimacy.