Most white voters voted for Trump, but not even most working-class white voters voted for him. If Roseanne and Dan Conner voted for Trump, it is not because they are working-class.
Why should we care about historical biopics such as HBO’s mini-series Gunpowder? Is it because it stars Kit Harington—the heartthrob Jon Snow of Game of Thrones fame? Is it because of its message of religious bigotry and violence?
With a theatrical adaptation opening in London, and a planned CBS revival helmed by Jordan Peele, what can the Rod Serling anthology series say about modern life?
The moral of the story is “don’t tell stories about these big topics if you can’t do it well.” And by “well,” I don’t mean create a post-racial utopia. I mean have the ability to give that story its own weight and importance beyond what it does for your two white leads. I mean the very least you can do is not make Jamie and Claire white saviors. At the very least. But that isn’t possible because they are the people this story is about.
Godless, Netflix's new Steven Soderbergh-produced six-part series set in a New Mexico mining town governed mainly by women, has been touted as a feminist Western, two words that typically mean opposite things.
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