Portside

It is still funny in the same ways it was always funny, using classic sitcom jokes and storylines to highlight issues of class.

Billions knows how to have fun with its depraved, cartoon-y universe of scheming hedge-fund managers and corrupt federal attorneys; it also knows how to dial it back just enough to feel like an authentic parallel to these depraved, cartoon-y times in America.

The British miniseries Collateral, which premiered on Netflix last Friday after an initial run on BBC Two last month, is to a post-Brexit United Kingdom what recent seasons of American Horror Story: Cult, American Crime, and even Broad City are to a post-Trump United States.

A decade ago, The Wire series finale aired. The show was a Marxist's idea of what TV drama should be.

Atlanta doesn't run on its ability to make you tune in to see what happens. It's a show about hustle; if it ever really stops being about hustle, that's likely to be just another vignette about a sudden windfall. For now, it runs on its ability to place you in a particular moment and depict the feeling of it with great precision in whatever way works best.

The original Heathers were a group of croquet-playing WASPy socialites; the new Heathers are comprised of a plus-size girl, a genderqueer student, and a black girl. In other words, this is less a reboot and more an intentional inversion of the original concept, built on the premise that the bullied have since become the bullies.

The American’s skill and charisma has been a highlight of the Games. But figure skating has not always been so supportive of its LGBT athletes.

Aside from the sheer entertainment of the series, Babylon Berlin offers its new American audience the warning it needs in 2018. As the plot progresses, Rath must choose between his morals and nationalism—something Americans struggle with often in the 21st century. But Babylon Berlin shows us how a progressive nation can crumble when it allows bigotry and intolerance to fester.

Netflix’s new six-part documentary series is an enthralling take on cons and corporate malfeasance, from money laundering for cartels to the Trump Organization.

Is network TV ready for a Black Lesbian superhero?