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Netflix’s documentary 'Tiger King' is the apotheosis of extreme storytelling: The more unfathomable and ethically dubious, the better.

Stranger Things 3 is more deeply informed by American paranoia than ever before, as the show starts to mine classic, Cold War–inspired works of the mid-1980s.

This disconnect, the palpable condescension and disgust the Ailes family feel for the communities and viewers who’ve made them impossibly rich, is one of the most intriguing and under-explored parts of The Loudest Voice.

Gentleman Jack depicts a bold, groundbreaking 19th-century lesbian. But its palatable tone falsely suggests that few obstacles were in her way.

With San Francisco, The OA has a locale that embodies all the fractures of the current moment: the dichotomy between rich and poor, the ongoing disruptions in the way people experience reality.

Midge, Sherman-Palladino seems to hope, can do what few women before her have managed: Put herself first above everything else, while still demanding that audiences like her.

“Bearing false witness is the worst crime that you can commit,” says a character in the most recent episode of the Amazon series "The Romanoffs".

Producer Marti Noxon has two shows about women’s pain and rage debuting this summer—and the timing couldn’t be better.

Netflix’s new six-part documentary series is an enthralling take on cons and corporate malfeasance, from money laundering for cartels to the Trump Organization.

With a theatrical adaptation opening in London, and a planned CBS revival helmed by Jordan Peele, what can the Rod Serling anthology series say about modern life?