Portside

As the crisis about the use of police power intensifies, the theme of Dwayne Woods's poem pleads for taking care in its most literal sense.

The timeliness of The Butler's Child has just been demonstrated by the death of a black man in Baton Rouge at the hands of two ill trained young white police officers. Fifty years ago Steel thought of the Deep South as a dangerous and racist place. Today, however, it has become clear that racism and trigger-happy cops are national phenomena.

This memoir is last book written by the late Benedict Anderson, whose Imagined Communities (1983) was a major contribution to the modern understanding of the nation-state and of nationalism. As Joshua Kurlantzick shows, Anderson's life was as rich as his scholarship was provocative.

"Ludlow: Greek Americans in the Colorado Coal War" and "The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble" -- two new documentaries, both of them stunning not only in their execution but in their implications, raise all the critical issues about the worth of human life. One takes place in the violent coal mines of the Southwest a century ago, and another takes place today in many locales leading up to appearances in concert halls all over the world.

Native American cooking has all the makings of a culinary trend, but it’s been limited by many diners’ unfamiliarity with its dishes and its loaded history.

One of the most compelling undercurrents of the show is how it's developed a kind of “against the grain” feminism with its female characters. This came to a head in Season 6, arguably Game of Thrones' most feminist season yet.

The Encyclopedia Britannica has gone through many editions, but the 1910-1911 scholars edition is nonpareil. Dennis Boyles' book says why, and enumerates what is lost when readers gain accessibility and cost-savings from easy access to Wikipedia and other venues but lose in depth and authority.

This memoir by physics and geology professor Anatole Dolgoff of his father, IWW activist Sam Dolgoff (1902-1990), beautifully captures the aura of the anarchist and related movements in the United States in the latter half of the 20th century, says reviewer Peter Cole.

Much of Anne Fontaine’s blistering film “The Innocents” is set within the walls of a Polish convent in December 1945, just after the end of World War II. What at first appears to be an austere, holy retreat from surrounding horrors is revealed to be a savagely violated sanctuary awash in fear, trauma and shame. The snow-covered, forested landscape of the convent is photographed to suggest an ominous frontier that offers no refuge from marauding outsiders.

American bureaucrats, seed sellers, food company executives and farmers seek the prizes that are likely to come if the United States ends its trade restrictions against Cuba.