Portside

Pay attention to your DNA. The idea that you can't go home again assumes a different aspect in California poet Rebecca Foust's rendition: "Kansas one day will turn out to be Oz/and Oz Kansas."

Portside is proud to bring our readers a full chapter from the book Imagine: Living in a Socialist USA. Periodically Portside will be sharing with our readers chapters and excerpts from books we feel are noteworthy. What better way to launch, than a book about socialism-in the USA. Ron Reosti's chapter - A Democratically Run Economy Can Replace the Oligarchy - argues we can democratically design and control an economy that satisfies the needs and desires of the people.

This new book traces the antiwar work of visual artists in the United States over the last eighty years. Paul Buhle offers some useful context for understanding this widely varied scope of creative activity as it ranged from antifascist paintings and murals to the poster art of the Vietnam War years to the politically engaged art of the current era.

'This Changes Everything', which re-imagines the vast challenge of climate change, is directed by filmmaker Avi Lewis and inspired by journalist Naomi Klein’s international best-selling book by the same name. Over the course of four years, the pair traveled to nine countries on five continents to profile communities on the front lines of the climate justice movement.

Between 1886, when the first American suffragist cookbook was published, and 1920, when the 19th Amendment to the U.S. Constitution granted women the right to vote, at least a half-dozen cookbooks were published by suffragette associations in the country. They came garnished with propaganda for the Great Cause: the fight for getting women the right to vote. The suffrage cookbooks came garnished with propaganda for the Great C

Donald Trump’s highly touted and almost certainly inappropriate hosting gig on NBC’s “Saturday Night Live” turned out to be an anemic and halfhearted dud.

War veteran Fred Norman devotes his writing to Peace. His mantra: Each night I ask myself/what did I do today/to end the wars?//If I answer back with/"Nothing"/then the dead that day/are mine.//I beg of them forgiveness.

In any case, union contracts and the working conditions they codify are the current compromise between labor and capital in any given workplace. With or without a contract, workers will have to struggle. Staughton Lynd doesn't seem to consider the possibility that some workers may not be looking for constant class warfare on the job, and that settling a decent contract offers a much needed respite to lock-in gains.

The numbers tell us that the African American upper middle and upper classes are little more than a sliver of those classes as a whole. In what Rebecca Hussey calls a "formally innovative" new memoir, Pulitzer Prize-winning critic Margo Jefferson shows us what it is like to have grown up in this tiny world during the latter half of the last century.

The conversion-narrative approach that Suffragette is rooted in precludes a structure as savvy as what we saw in Ava DuVernay's exquisite Selma, a film of negotiation and confrontation — and one that presumed this was no viewer's first day in this world. Suffragette expends its energy selling us on what we already believe rather than examining the way these activists pressed the world into believing it