Portside

In America, white supremacy is the establishment — not part of it, but all of it, our politics, prisons, schools. And white supremacy dominates our food, our media, even our escapism.

Female-fronted comedies have arguably seen the most aggressive cuts from the gameplan by Netflix.

Reflecting contemporary tensions that explode into violence, Virginia poet Mary Anna Dunn explores the failures of imagination to create resolution.

Fresh from her remarks at the Golden Globes Awards ceremony, Oprah Winfrey is being touted in the mainstream media as a potential presidential candidate in 2020. Whether it's a passing fancy or the start of a serious draft effort, now is a good time to look back on celebrity journalist Kitty Kelley's 2010 biography of Oprah, which the reviewer in an essay alternately caustic and refreshing, credits Kelley with "a very powerful understanding of what makes a modern celebrity. She gets the journey, to use a favorite Oprah word, but she also gets the cost of the journey."

The well-known scientist and commentator on science has presented us with a primer on his subject that is aimed at a wide and popular audience.

"I can’t think of a previous batch of statuette-season contenders so politically on point and of the moment, and I credit — although that’s not quite the right word — Donald Trump. His rise and presidency have brought so many of the cancers of American life to the surface, where we can no longer avoid them, and the movies reflect that. He’ll be at the Golden Globes and the Academy Awards not just as the butt of a gazillion jokes. He’ll be there as an inspiration."

When Denis Estimon, a Haitian immigrant, came here in first grade, he felt isolated -- especially at lunch. In high school, he started a club called "We Dine Together" and is now opening chapters in schools around the country.

The producer, who assembled a record-breaking trans cast for FX’s Pose, is excited to find new talent.

Asked to addressed the word “resistance,” New York poet Esther Cohen responds “courage,” which is not what the teacher expects, which helps define “resistance.”

The author enlivens a type of working-class society where capitalism compensates poor men with the role of tough guy, all in the writer's effort to "bring the left to life."The End of Eddy does so in a style both plainspoken and visceral, using Louis's own childhood trials--like his protagonist much abused as a gay kid in a dead-end factory town --as a window onto the pathologies of a cloistered working-class existence.