Portside

Le Carré's 1993 novel comes to life in a six-part AMC series. John Powers says the show, which jets from Egyptian streets to posh Alpine lodges, is one of the most enjoyable thrillers he's seen on TV. Over the years, le Carré's anger at those in power has become less ambiguous and more sharply focused, whether he's going after drug company profiteering or America's approach to the War on Terror.

With a sharp eye for detail and an unrelenting instinct for trouble, Los Angeles poet Alexis Rhone Fancher presents the sad working woman behind the counter.

Based on personal stories of Abraham Lincoln Battalion survivors, Hochschild writes of their courage in an unequal contest where the Fascists had the unstinting support of German and Italian governments while the Democracies embargoed all arms to the Spanish government, an alliance of centrist and leftist parties-this while the Soviets worked to tamp down popular land and factory seizures for fear of inciting those capitalist Democracies to outrightly side with the Right

John Dewey's classic has had a profound impact on how progressives and others think about education. In this review, Catherine R. Stimpson evaluates this landmark book of educational theory and finds that it has a lot to tell us about social life outside the classroom as well.

Udi Aloni's Junction 48 is a melodic drama set Isreal in the town of Lydd (Lod) with a nearly all-Palestinian cast that forcefully confronts anti-Arab racism in Israel by shining a light on the oft-forgotten Palestinian citizens of Israel (PCIs). (The title Junction 48 presumably refers to Lydd’s historic transit-point between Palestine and Egypt and the designation often applied to PCIs as “’48 Palestinians.”)

At a time when much of the culinary world believes in farming like pioneer settlers and looking its meat in the eyes, This wants us to abandon peas and carrots (“Middle Ages!”) for their constituent parts—glucose, sucrose, cellulose, amino acids, and more.

New WGN America series brings story of Underground Railroad to the small screen.

The Mexican-born Texas poet Hugo Esteban Rodriguez Castañeda suggests a Latino identity based on hardship, danger, fear, but also an enduring spirit of survival that is as indigenous as el huizache--the acacia tree--which also happens to be the name of "The Magazine of Latino Literature."

While Camus was a vocal advocate of Arab rights since the 1930s, his fictional universe seemed blind to their existence. . In 1957 Albert Camus uttered a widely misquoted criticism of terrorism. What he meant to say, what he in fact said, is that a policy of killing innocent civilians - whether his own mother or the mother of his adversary - is not properly named "justice."

In this review, Jill Leovy looks at two new studies of contemporary US poverty.