The compendious catalogue of a recent exhibit offers representations of art as practiced by numerous Plains tribes from first encounter with Europeans to their near decimation not only from military conquest and rough frontier justice but from European-spawned disease. Much of the work is likened to that of Italian painters of religious scenes during the Renaissance, which might be defined as the depiction of social life sustained by a sacred sacrifice of blood.
The history of public housing in the United States can be read, in part, as a history of the modern impoverishment of racial minorities, in particular, of the African American population. As reviewer Rhonda Y. Williams notes, Edward G. Goetz has written a "multi-layered analysis of housing policy and redevelopment," in a book that "explicitly examines black removal from urban spaces and the perpetuation of racialized poverty."
The Third Reich produced 1,200 films, 300 of which were banned after WWII as dangerous propaganda. Forbidden Films examines the 40 that remain effectively banned to this day, locked inside a German federal film archive and only made availavle to researchers. Are they historical evidence, incitements to murder, fascist pornography, evergreen entertainments, toxic waste or passé kitsch? Are these films better shown and discussed rather than repressed and forgotten?
Common foods like olive oil, fish, honey and fruit juices may not contain the food ingredients you think they do. This is an issue not only of food fraud but of food safety.
The poet explains the transition between these two poems and reveals a mordant humor.: "That Sure is My Little Dog," written some years ago, arose from what I felt at the time was a lack of political outrage on the left, particularly among younger people, but by the time of Occupy Wall Street, I was feeling more hopeful about my generation (the Woodstock era folks) passing the banner on to the next.generation. Which leads us to the second poem, "Leonard Cohen's Guitar."
Marx called it "the dictatorship of the proletariat" and its militants those who "stormed heaven." For 76 days in 1871, this first experiment in workers self-government and armed defense against troops of the old order also made costly mistakes leading to its slaughter. The author chronicles not only Commune governance and the role of women as leaders and fighters, but the intricacies of a counter-revolution that sought nothing less than crushing Paris' working class.
First-time author Leila Abdelrazaq has produced a work that, in the words of reviewer Beenish Ahmed, "provides a human face to the often overlooked experiences of refugees." Rendered in the form of a graphic novel, it is a unique visual and literary testament, and a special glimpse into the world of those who have been displace by conflict from their homes and from their familiar worlds.
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