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This museum tells a story. African Americans overcame centuries of oppression to record achievements in all walks of life, including the election of one of their community as president. But To preserve the gains celebrated in the museum’s galleries, it will be necessary to continue to draw inspiration from the displays on the resistance to institutional racism.
Ashley Farmer
African American Intellectual History Society
The Women's March on Washington has the potential to be a unifying event if organizers and participants fully recognize that calls for solidarity often ring hollow for black women and that many black women see the recent election as the latest iteration of white feminists’ betrayal.
In the 1970s a group of African American experimental jazz improvisors organized musician-sponsored concerts in a network of lower Manhattan lofts. The music they produced was not only sonically adventurous, much of it was also driven by a host of social concerns. Michael Heller has published a new history of this movement. Michael J. Agovino helps guide us through this important cultural moment.
It feels perfectly appropriate that in 2016, a mortifying examination of one man’s ego played a role in the election of America’s next president. Weiner is a depressing pile-up of the year’s governing impulses: the media’s veneration of scandal, the increasing shamelessness of the country’s politicians, and Weiner’s quiet, ashamed delight in his own continued relevance.
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