Robert Schenkkan’s Tony award winning All the Way portrays Lyndon Baines Johnson in his finest hour, and its multi-media staging on Broadway was already cinematic in nature. HBO’s TV adaptation — directed by Jay Roach in collaboration with Schenkkan’s screenplay and airing Saturday — has upped the ante, giving us a leaner, less unwieldy and more intimate rendering.
“Songbook” frames its story through the memory of Lucy Parsons, the daughter of a slave who later becomes the widow of “anarchist martyr” Albert Parsons, a white man who had served in the Confederate Army, but then found his calling as a charismatic labor leader. There are unquestionably distant echoes of terrorist activity in our own time in this show, along with enduring issues of income inequality, police brutality, and a compromised judiciary and media.
This piece, the first of two parts, is excerpted from Noam Chomsky’s new book, Who Rules the World? (Metropolitan Books). Part 2 will be posted on May 10, 2016. Noam Chomsky is still writing with the same chilling eloquence about the updated war-on-terror version of this American nightmare. At a moment when the Vietnam bomber of choice, the B-52, is being sent back into action in the war against the Islamic State, Chomsky, too, is back in action.
Children are still being held in isolation in detention and correctional facilities across the United States. Children can be found curled up on cement floors in bare cells for 22 hours a day, and for days at a time. In order to use bathroom facilities in Los Angeles County Jail, young people must bang on their cell door and hope that someone comes to escort them to a bathroom.
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