Portside

Don’t Worry Darling and Barbarian want us to remember gender is scary.

Conversations about cancel culture so often frame things in extreme terms for the sake of catching those Substack subscriptions and Twitter likes; they tell people exactly how to be outraged. But Field conducts discourse like a symphony.

Based on Joyce Carol Oates’s novel, Andrew Dominik’s film Blonde ignores the assertive and hardworking real-life Marilyn Monroe and instead gives us a lurid tale of perpetual victimization.

The film premieres amid a growing social media trend that romanticizes tradwives. But in Don’t Worry Darling, being a 1950s housewife is anything but romantic.

The historical action epic, starring Viola Davis, tells the story of the Agojie, female African warriors who once reigned supreme

The French director did more than transform the aesthetic and the practice of filmmaking—he turned the cinema into the central art form of his time.

Three new movies recall the 1930s gangster movie era, but with a twist. They sketch the outlines of a dysfunctional social and economic reality by focusing on people who are caught in the gears of the system, in one way or another

With a solid premise about working-class vampire hunters, Day Shift had real potential — but there’s no escaping the Netflix curse.

The movie "Look Both Ways" was written before Roe was overturned, but director Wanuri Kahiu and star Lili Reinhart have said in interviews that it's pro-choice. I'm not so sure.

Prey, the latest film in the Hollywood Predator series, breaks new ground in its authentic portrayal of Indigenous Americans, thanks to its Comanche producer and Sioux lead