Lakeith Stanfield, Tessa Thompson, and Armie Hammer star in the exhilarating directorial debut from rapper Boots Riley.
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Situated in modern India, an Indian writer reflects on the still extant disparate roles of masters and slaves as parts of a vestigial system of imperial and racial capitalism, where to be a master was alleged to be a total provider, and to be a servant was not a job but a total identity.
Billionaire fund managers and their firms must pay for the damage they’ve caused. Toys “R” Us workers need immediate severance pay—if Bain and KKR were to forgo their predatory profits, each worker would receive about $15,000 in severance, a pittance for what in many cases is a lifetime of diligent
Capitalism treats blue-collar and white-collar wage earners differently than salary earners. Since the 1980s, anybody who has a non-bullshit job, who is doing actual work, has seen their work downsized, sped up and Taylorized.
If you build an entire movie around MacGuffins, the material embodiment of wanting, insufficiency, and lack; if you fill every beat and narrative space with the problem of those MacGuffins, leaving no space for anything else; if you crush every story down to the problem of how it relates to those M
Marx’s work remains the most compelling framework for analyzing how the conflicting tendencies in present-day society contain the seeds of a more humane future.
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