True Detective: Night Country breaks ground in television's portrayal of Indigenous women and the MMIW crisis. Characters like Kayla Prior and Evangeline Navarro offer a nuanced reflection of resilience, complexity, and societal struggles.
True Detective: Night Country, the fourth season of the HBO/Sky drama, is a twist on its familiar neo-noir mystery format, starring Jodie Foster and Kali Reis as the lead detectives. It’s the first time women have been at the show’s helm.
For Native Americans there is something also familiar about Maya’s interactions with family and friends, with the way the community speaks to each other, and the sense that distance doesn’t mean separation. ‘Indian humor’ is prevalent throughout.
Dark Winds retools and modernizes Hillerman's conception. Set amidst the fiercely beautiful New Mexico landscape of the early 1970s, this entertaining series stars, is written by, and is largely directed by Native Americans.
Hugo Blick’s revelatory series is a gorgeous, glorious new take on the old west – a lawless land where no one can hear you, or anyone in your way, scream. What matters is that the dehumanization and massacres of the Native Americans, upon whose suffering the New World was built, is not forgotten but ever present.
For generations, entertainment media has invisibilized and/or stereotyped Black and Indigenous people with origins across Latin America, just as its Spanish and mestizo white supremacist leaders have done in this region throughout history.
A film saga that began with Arnold Schwarzenegger machine-gunning a jungle in search of an invisible enemy has a new instalment – and shines an insightful light on a long-marginalised culture.
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