Anti-fascists, leftists, socialists, radicals, and revolutionaries looking for a horror film to watch this October should seek out one of Bela Lugosi’s classics. But please broaden your horizons beyond Dracula. You won’t regret it.
Writer Gary Phillips traces the history of the Writers Guild, the militancy of Hollywood unions, beginning with the writers, the difference between the writers and actors, and why the actors remain on strike.
Telling the story of a slave revolt in ancient Rome, the 1960 film Spartacus was penned by two blacklisted Communist writers. Its arrival in theaters was a middle finger to the McCarthyist witch hunt in Hollywood and publishing.
The singer-songwriter met the demands of striking SAG-AFTRA, including streaming residuals, to release The Eras Tour documentary.
While guild members would love to get back to work, the one thing they’re not going to do after months on the picket lines, whatever the studio’s strategic game plan when the strike began, is roll over and play dead.
Hollywood glamour doesn't pay the rent. Many of the people who actually make the movies and television shows we love so much — whose hard work creates stories, sound stages, spectacular costumes, and so much more — are barely scraping by.
The unions raised the need for antitrust enforcement, and the Biden administration’s top antitrust cops paid attention. The one-two punch of simultaneous WGA and SAG strikes, for the first time in 60 years, has stalled out virtually all productions.
Women Talking is about the struggle to unearth language capable of describing profound desires for freedom and safety.
One film can’t do it all, but I can’t help feeling that the retelling of this story, as it stands, is a missed opportunity.
‘Oppenheimer’ and the anguish of creative destruction
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