Nebraska Republicans Squash the Death Penalty. Alice's Restaurant, 50 Thanksgivings Later. Killer Mike Introduces Bernie Sanders in Atlanta. In America: Walmart Workers. How Puerto Rico's Economic 'Death Spiral' is Tied to Legacy of Colonialism.
Arlo Guthrie's now-classic song was released in 1967, but the story begins, as the song explains, two years earlier. And 50 years into the story, its themes are strangely and sadly still relevant. And the movement it appeals for is no less needed.
Start Getting Used to Saying President Trump. Grateful Dead 50: Ripple. Mexican Donald Trump Hosts Mexican Saturday Night Live. Daily Fantasy Sports. Bernie Sanders: How I See Democratic Socialism.
In honor of the Grateful Dead's 50th anniversary, Playing for Change reprises the Grateful Dead's 1970 classic, "Ripple."
Stephen Asks Donald to Put His Millions Where His Mouth Is. Alabama Shakes: Future People. Professors in Poverty. Documentary: Jafar Panahi's Taxi. Bernie Sanders Wants To Make College Tuition Free.
Alabama Shakes has a unique soulful rock sound. This is from their new (second) album, Sound & Color, which debuted at #1 on the Billboard 200.
Reader Comments: Sanders Ignites a Populist Movement; How Sanders Should Talk About Democratic Socialism - readers offer differing views; Clinton and Labor Support; Argentina; Indonesia and the Act of Killing; Vera B. Williams and Children's Literature; A Progressive Song To Tap Your Feet To! from Kristin Lems;
Announcements: Paul Robeson Play - More Performances - Hackettstown, NJ; Cuba Speaks for Itself - New York- Nov 4; Washington, DC- Nov 7; Bay Area- Nov. 13
Music Is My Ammunition | Playing For Change. What Republicans Hear When Bernie Speaks. Documentary: India's Daughter. Medea Benjamin on System Change. Could We Actually Live on Mars?
Playing for Change video of Bob Marley's classic of hope and forgiveness, featuring Mermans Kenkosenki, Roberto Luti, as well as family members from Cuba and Jamaica including Stephen Marley.
Legendary rock star Patti Smith's look back expresses supremely well the tentativeness of every movement forward, the sense of following a path so risky, so sketchily perceptible, that at any moment one might go astray and never be heard from again, never perhaps even hear from the deepest part of oneself again. For a book that ends in success, it is acutely sensitive to that abyss of failure that haunts the attempt to become any kind of artist.
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