In a climate when so many digital media companies are being reorganized by new leadership and moving to unionize, it’s easy to relate Succession's episode to countless mini-crises of the last couple of years.
Whitehead’s follow-up to his Pulitzer-winning Underground Railroad exhumes the unmarked graves of a hellish Florida reform school.
When Art Spiegelman wrote the introduction (below) to a collection of vintage Marvel super-heroes, a passing negative reference to Trump was enough for the publishers to jettison the quality introduction.
The charitable reading is that Ready Or Not understands how moneyed entitlement knows no gender—that the only way to break the arbitrary yet destructive grasp of the super-rich is to chop it off, or possibly light it on fire.
The Department of Agriculture is giving away the $1.2 billion in foods it’s buying to help farmers hurt by trade negotiations. Some U.S. school cafeterias expect free food shipments, one little known consequence of President Trump’s trade disputes.
HBO's Succession peeled back the layers of the all-powerful Roy family, a Murdoch-like media empire built by despicable, ruthless people, and what it showed us was more putrid and awful than we ever could have imagined.
Fascism may be resurging, but so is socialism. Yet what would a genuine post-scarcity, egalitarian, democratic, communist society look like? The author thinks he knows, offering tantalizing if evanescent glimpses that tweak the imagination.
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